tevo howard (rush hour, beautiful granville) macht aus dem klassischen house-sound seiner heimatstadt chicago etwas neues und aufregendes. seine tracks basieren auf analogen old-school-beats. was tevo howard indes von der retro-fraktion abhebt, ist sein sinn für melodien und basslines. nun präsentiert dieser unglaublich talentierte newcomer seine ersten vier tracks für permanent vacation.

7 oz is back with a long awaited various artists ep that follows the success of mathias mestenos alcatraz. two dancefloor-oriented tracks, that sound really hot despite the cold winter, ideal for any passage of your sets. barila&lodettis el jazz del barrio takes us back to the truest deep house sound, with a jazzy mood and an ear set clearly back to the old school. the young and talented fabio even, thanks to the remix made by manu-l and paul cart, goes techno with the sharp and piercing rhythms and sounds of the explosive track undershow.

just just >just sort of happened< according to producers fake chicken and cheap soap. although the piece has a deep and elaborate sound, the production process was unusually quick, as everything just fell into place after the duo was inspired by a great summer season in music. just just is fake chicken and cheap soaps first release on greenhorn records, alongside tigerskins and king rocs remixes of the track

boe x is a special landmark release for the buzzed about london label boe recordings. featuring artists both familiar and new to the imprint, its a sonic snapshot of the labels sound wrapped in celebratory sleeve artwork and limited to a vinyl only run of 500 copies

track 5, a previously unreleased single meant for >the days of mars< album, but ultimately deemed out of place on the record, begins with the slow reveal of a repeating electronic ring atop a rising, falling, sine-curving synth. with each additional layer—a piercing, urgent synthesizer, a deep, continuous, ever-expanding rumble, the sound of a guitar, awash in reverb—the atmosphere thickens. its both restless and placid, anxious and tranquil. just over ten minutes in length, the track closes with a chorus of high-pitched synths that fade to a sparse, darkened end. this 12-inch, very likely gonzalez and russoms last, also features a remix from Âme, comprised of germanys kristian beyer and frank wiedemann. the house duo wholly transforms the a-side into a track so unrecognizable it seems brand new, taking it far from the introspective dreamworld to a dance party in the sweaty, blissed-out, wee hours of the morning

support from oxia, rodriguez jr, radioslave, josh wink, dj koze, laurent garnier, seth troxler, joris vorn, jennifer cardini, dixon, claude vonstroke... two friends who have known each other for many years, who have often shared the same stage and recently enlightened our summer workshops at la carrière, who trade deeply-felt lyrics and singing for singular and refined productions and who delivered infinés finest electronic rhymes. after >silently<, clara called mimu again for >deer & fox<, the vocal pop wonder of >polyamour<. this fall infiné has invited forward-thinking remixers to work on clara s stems for four new opportunities to play the track. deep and introspective, the troublemakers of dop have kept the classy original textures, slowed down cleverly the bpm to carrying mimus voice into a bubble of euphoric bleeps. pampered by derrick may, juan atkins or kevin saunderson, stacey pullen offers the clubbers a one-way ticket into his time machine. right back at the heydays of the detroit second generation. terribly old school and consequently incredibly efficient on the floors. widely praised for their recent intrusions on the very respected karaoke kalk label, tolouse low trax on top having a profound liking puns, have turned >deer & fox< into a dizzying after party chorus, adding their own dark and hypnotic sound pallet. offered as digital extension but no less essential to the package, austrian producer ritornell aka richard eigner brings celestial violins and heavenly piano for a shining and delicate rework, which could almost let you forget the original.

jeremy duffy (duffstep) brings us back to the deep, the spacey, the atmospheric, the groove. imagine blockheads, fly los, fingathings, mount kimbies and von ds sound, slightly reduce the beat to the soulful side, add synths and mid/heavy weighted bass and your almost there. as well as releasing music on his own label, join the dots, duffstep sent a copy of his demos to electric minds and after hearing >close< we immediately got in touch to sign the single. the track is one of the most powerful productions were heard this year and proved its worth when we heard it played as part of duffsteps av show on cargos huge system. big beats with a huge bass line, close is a powerful track that crosses the border of house and dubstep. to compliment the track we commissioned hreno & the mole to provide their take with a stripped back house version. in addition yam who also steps up for remix duties providing a killer boogie track. touching dub step , house and boogie the 12inch provides 3 sounds from the different corners of todays dance music scene.

the 4th release on their own imprint >pattern repeat< (resoe & kenneth christiansen) again delivers two killer techno tracks. the duo has really built themselves a solid reputation on the previous 3 releases, and gained support from artists like function, silent servant, pär grindvik, levon vincent, darko esser, reference, samuli kemppi. pattern repeat shows how the modern berlin sound really can get a twist of the new sound of copenhagen.

this is one of the biggest releases on the label so far: juan pablo pfirter and alex bau team up for a smashing peaktime experience that leaves no space to take a breath. the modulating main synth-theme determines the character of both mixes and while juan stays very dry and powerful, direct sound, alex roughens it down to a dark technomonster as if there is no tomorrow. after release of pfirter on such highclass labels as clr, figure, stroboscopic artefacts and his very own mindtripmusic this is a stunniung debut on dmom.
played by: richie hawtin, alex bau, wjh, pfirter, dalidad djs, laurent n, etc

with the >debut remix album< alfred heinrichs scored on subdub in all charts through the ceiling. now he puts on mimique the >all about me e.p.< after 2 great songs in the distinctive style of heinrich. as known from alfred, fits his sound is not in a drawer. the galloping bass, the hot breaks and vocal snippets push the two songs at the heart of heinrichs night. rounding out the e.p. is the philip bader remix of >all about me<. this comes with a brash, cocky driving house beat around the corner.

first on decks.de !! wavering minimal compositions by german techno aficionado felix bernhardt. (a1) felix bernhardt - black donkey : a massive piece of bass concentration mixed with a round sound structure, sampled vocals and a thrilling build-up for explosive dancefloor moments. (a2) felix bernhardt - die lustige lokomotive : felix bernhardt starts the track with playful, melodic bleeps merging into a hammering peaktime track - quirky, dynamic and groovy all along. (b) felix bernhardt - black donkey (wahrlich & carbon remix) : with a pounding beat at the beginning, the remix of >black donkey< comes along rougher and more minimalist than the original. the track develops its own force due to its distinctive melodic sequences.

if god created men and if the ancestors of men are monkeys, then god was a monkey! this is asrs 3th release on simplex records. the original mix is one for the stronger bodies and minds, full of energy & power, balancing between dark crazy techno and solid minimal. the syncopated percussion is pivoting on the berghain based groovy sound. the melody is sparse and therefore a natural step in asrs evolution as a recording artist. the structure of this track embraces well placed developments and sonic changes. the sound of all tracks is coherent and vigorous hypnotic. asr hired minus artist jpls for a remix on the a-side. result is a typical jpls sound. abstract & subtracted. asrs friends, rising smallroom artist mike wall gives a dark dreamy mysterious point of view and japans tech & minimal talent shin matsura hits you straight in the face just like the original mix does. these two producers are the personnel on the b-side.

fer br is one the most prolific artists on the special series imprint with now finally his debut album ready to launch early 2011! fer br has stirred the techno scene with his incredible fresh and funky techno sound. very well produced and very very party friendly! the girls just love his sound. so if you are into the dj-ing for getting the girls, you must play fers productions!with not only great tracks and remixes for labels like gtmuzike, basics, subcult, code, cobra, patterns and many more he also set up his own imprint which is called funkme. thats just fer br. it cant get any funkier! this is funk. fer br presents: this is me. watch out for the album dropping early 2011...

the latest release from the fizzy duck label features carlos nilmmns and ian elgey joining forces on two deep sounding pieces of music. with a nod to their love of the detroit sound on >its because< and >thought pattern pt. 2<. the third track on the 12 inch comes from a new band intrasound from glasgow with mesuma on remix duties.

12inch full of music with a definite sense of place. eerie synthesiser pulses, funk-infused drums and languid guitar-scapes have been part of the musical topology of düsseldorf since the early seventies: and this particular release pays full tribute to that legacy, with jagd auf den hirsch (hunt for the stag) comprising an eerie piece of swampy lazer-forest rock. this sound is also a modern day staple of düsseldorfs nightlife at the salon des amateurs, a small bar attached to the kunsthalle art gallery that is an oasis of hypnotic disco nightmares. the salon is where der räuber und der prinz made their first live appearance in 2008 (when the original composition for moogwalzer was debuted), and both members of the band frequently play there: ralf beck with his bodyrocking club act unit 4 and sebastian as half of art-rock duo noblesse oblige. meanwhile two of the guests on this release - detlef weinrich also known as toulouse lowtrax, contributing words about a ghostly maiden on moogwalzer, and thomas klein contributing drums to jagd auf den hirsch - are both original members of the quintessential düsseldorf act kreidler. salon dj resident vladimir ivkovic also had a hand in the creative clarion call for the jagd auf den hirsch (hunt for the stag). to complete the circle, düsseldorfs new resident and desolat mainstay guti wrote his remix in the middle of the night in buenos aires, as a kind of letter to his new home-to-be. there we have it: a true tribute to a city we love, with tracks for the dancefloor as well as moments of melancholic contemplation.

remixes von nicolas jaar und ed bangers boogie-revivalist breakbot! matthew dears black city is an opus of bacchanalian futurism, then second single >you put a smell on me< is its presumptive climax—an unblinking industrial march to the center of the brains most neglected corners. its drums are militant, its pace is unswerving, and the squarewave synths that start falling like mortar shells are searing and wide-eyed. then theres the marbled voice of dear himself, pent-up and sexually charged, beckoning you for a ride in his big black car. its the sound of staring down the part of yourself that you are most afraid of. if that seems too daunting, theres always the dub version. when mirrored through the eyes of others specifically wolf + lamb prodigy nicolas jaar and ed bangers resident boogie revivalist, breakbot — >you put a smell on me< starts to feel less lobotomizing. jaars version is a sullen, scratchy, headphone-ready beat trip—atmospheric vibraphone samples here, stilted kicks and snares there, all of it amorphously affecting together. and breakbot has no problem hamming it all up into the sort of blithe electro-funk every prom night deserves.

hailing from the free swinging hills of san francisco, established dj and producer alland byallo has created his own unique sound out of a love for deep, soulful house combined with more edgy techno moments. from his own successful nightlight label he has released a quality catalogue including his debut artist album last year. of course it was only a matter of time until his talents were noticed by poker flat boss steve bug, and the results are this briliant 2 tracker, which also marks alland‘s arrival in his new home of berlin. welcome to town mr byallo! ‚discovaries‘ has a healthy amount of berlin‘s reduced techno affinity rooted within its phasing, growing p-funk waves. tense, moody and of course drenched with attention to detail, this is a grower in the true poker flat style. the sunken, murkier undertones of ‚shipwrecked‘ begin as a darker moment in techno, however gradually unfold and surface into a shining, tripped out afterhours anthem.

>les patates<, the fresh new rrygular release by tassilo, one half of pan-pot, is not an homage to french agriculture but a serious techno smasher with high club potential. at first, theres just a nice party atmosphere and … then this rough beat drops in! the small potatoe >petite patate< surprises by adding rudimental elements like the hihat and snare drum always a little late. but you have the feeling you havent missed something yet. this number just sneaks from behind and lulls you in with billowing pads until you sense the final rave sound as a self-evident consequence of it all. the message by g-tech right before the drop proves right - there is not a lack of vibration here! its all about the mixture … and in this case its just felicitous: male choir, clanking cymbals and finally the riff that this track subsists on. tassilo knows how to send the short melody-figure through the different stages of sound design, even though it might have been lively enough without it. this gives the big potatoe >grosse patate< a level of dynamic, that most contemporary techno releases just dont provide.

out now, the second e.p. from the axe gabba murda mob, this time on pacemaker records. two awesome tracks full of technical tricks and skills like you have never heard before at an awesome superior sound quality. top quality release!

satyr - roadrunner liebedetail welcomes new artist satyr, who will remain anonymous for the time being, yet we assure you he is a figure embedded deep with the scene, producing and djing worldwide for the last 8 years. this new creative angle does as his teasing artist bio promises, stay true to his acid house roots, and roadrunner is a fittingly excitable, frenetic synthesiser trip that rises and climbs with great intensity and clarity of sound. wareika - rumba swing the trio of wareika return with rumba swing, their second outing on the label. perfectly jazz infected, with of course a healthy measure of that rhumba timing, this lazy, psychedelic journey track meanders through lush fields of guitar improvisations, tumbling drums, piano refrains and eerie pitching elements, all neatly strung together with wareikas impeccable production.

limited to 500 copies worldwide.bristol based skinnz unleashes his debut solo release after more than 5 years in the game! his productions date back to an appearance on a destructive recordings compilation back in 2005 alongside the likes of skream, toastyboy, distance and vexd. more recently his collabs with i.d have seen releases on labels such as pinchs earwax and double science. >keep it gutta< features soaring synthetic soul chords, like jokers >purple wow< sound with aggro elements sublimated into a crisp urban elegance. >euphorbia< strays into martyn/joy orbison territory, its fizzing drone chords and soul vocal samples compressed around a bassier but grime-inclined beat to breathless effect! currently receiving heavy radio1 / 1xtra support from mistajam and ras kwame, along with mary anne hobbs, pinch, mensah, i.d, baobinga, akira kiteshi, jayglo & more!

first on decks.de !! >when you dont have a single home, the no man s land of being in transit can be strangely comforting.< heimwehg is a mixture of the german word heimweh (aching for home) and heimweg (the way home). these two words represent the sound of hannes smiths first own release. hannes, born in the former german communist area in 1986, lived in reykjavik for the past two years and wrote this ep about the way back home to germany.

after 20 releases in the much loved volume series mooqee & pimpsoul deliver what will be the last in the series, and boy do they deliver! dont worry its not the end of bombstrikes, just the volume series as we will continue to push our sound with artist development and individual eps plus a new into battle release featuring the likes of parker & slynk real soon.
to celebrate the 20th release we have pressed in glorious blue vinyl.

first release for toffler music entertainment, an idea by italian producer stefano. this release containes 2 original mix by label owner stefano. west is a melodic dub techno track, dark atmosphere and dramatic rhythmic sytnh line introduce heavy filtered chords. nite call is strange dance track, stefano uses more housy tools to perform tech groove, chord progression is the main theme. breakdown containes specialfx and euphoric vocal. west-quantec remix is fantastic dub techno track, pure dark and deep atmosphere, heavy filtered chords and modern arrangment. quantec is for sure the best dub techno producer from berlin, his sound is true inspiration for young producer. his experince over 10 years in music production of vinyl releases, is present in this remix. pure analog sound only for real vinyl lovers!!! masterpiece!!! nite call javier orduna remix is a cutting-edge tech house tune. javier add more tech house ambient in this remix. he uses dirty funky stuff to create a modern dancefloor track

with friends and cohorts like these, you can’t be sad for long. after the longest and best-ever and final closing, the saddest, best-ever and most personal record on the bar25 label is here. as pure dumb numerical luck would have it, it is – naturally – the 25th release. and, we’re almost proud to say, it’s strictly family business. the closing record speaks more to the spirit of the bar than any words, spoken or written, ever could. every track unique yet well-rounded, somewhere between universal and personal. awash with emotion, as though the sound machines had begun to breathe.

big with: sven väth, mandy, joel alter, laurent garnier, timo maas, deetron, dustin zahn, matt john, joris voorn, claude vonstroke, ramon tapia, shinedoe, martin eyerer, danny tenaglia, speedy j, dubfire, paco osuna, osunlade, ... no matter where you spent your last summer holidays , davide squillace or luca bacchetti were there to rock a club or a festival near you , spreading the hideout sound and life style around europe and beyond . but dont think the two accomplices only spent the last months hanging out on sunny beaches when they were not behind decks or waiting for their next flights. they were plotting for something big : deconstructed revisited. deconstructed revisited is a brand new series of releases , bringing friends and artists davide and luca like and respect into the family.

tiagos >disambiguation< begins like an aural sea, with a surface made of synthesized swells that rise, fall and crest again. beneath these waves are briefly clangorous metallic noises, searing electro hisses, long-armed synth stretches, and a never ending beat. there are moments of understated beauty floating through this perfect marriage of disco and house, sounds that are there and gone: a bassline that stairsteps and synthetic strings that follow suit: playful keyboard melodies, and percussion provided by tiago himself, who fell in love with music when he learned to play drums as a kid. >nada a perder< (>nothing to lose<) shies away from the extravagance suggested by its name and instead feels relaxed – at least at its outset. against shape shifting synths and the sound of piano house, percussion takes a leading role here, including finger snaps and clanging cowbells. the energy builds to a peak but, even when things are at their most frenetic, this track never loses its studied composure. tiago mirandas remixes and releases have been issued on disco devil, italians do it better, rong music, ene, hands of time, eskimo and claremont 56. he is one half of dj duos slight delay, the sea power & change, and mendes & alçada, and also handles mutiple duties in the band gala drop. tiago has been djing seven hour sets almost every weekend for more than a decade at the infamous lux in lisbon, portugal.

short about the label:. a joint effort between prins thomas and word and sound- the idea behind the label is to put out good music and not limiting ourselves to stick with a specific genre, instead opting to stay fresh and individual with each release going in every direction we feel. we are gonna be highlighting new talent, re-releasing some lesser known nuggets and certainly give you some dancefloor killers along the way to. from japanese techno to california kraut : ) just the way we like it… id love to tell you a lot of things about frank agrario but only a few things are known… his real name is francesco brini he lives in bologna he used to play percussion with swayzak the cheesy italian he is he runs a label called mozzarella recordings(where we also snagged >upgrade<from) last but least, hes handed in two tracks for us. both slightly re-strung in the full pupp k16 lab in oslo, both lethal partystarters now go buy it...

following on from their debut 12inch >i like triangles< on backyard records, italian beach babes are proud to announce hounds of hate second offering the 3 track 12 inch head anthem.
this london trio drop syrupy euphoria hits for the very late night. their heavy, low-tech sound evokes, in their words, >a synthetic weave stuffed in a floppy drive< or >vaseline smeared on a trax record<. hounds of hate have catalogued diverse movements from their tweens by recreating exact sounds and recording techniques from that era. the conflict is in the naivete of their candid homage opposed by their own pessimism and tendency towards irony.

first ep to deymare on trazable recordings, with this fantastic work. there are two original tracks and two remixes of losoul and rio padice. the original tracks are between deep house and disco funk. quality, pace, strength and a lot rythm, the public will enjoy! the remix of losoul, has an electronic base, with a repetitive groove, sounds and rhythms go and back with a unique atmosphere and with excellent sound. the remixe of rio padice, pure house, very sharp bases, and a lot bassline rhythm to the dance floor. indispensable in any case and for all public.

once again phunkfiction brings on a hot new talent: notion is known for combining deep and dark moods with a wide range of musical elements and influences. >because< is a sick half tempo track using an ultra catchy pitched down vocal sample and an outstanding sound design - one for the fans of instra:mental and d-bridge. >iota< is a very stripped down dancefloor tool still spreading a big amount of funk - head nodding guaranteed. both tracks are getting support by many big djs on the scene.

on >tribal tech ep< franksen & tom wax bring you three tribal tech house bombs. >tribe thang< is mainly drum oriented track, full of groovy percussions. >celeste is a fantastic tech house track & the harmonic sounds beams you to the caribbean area. best sound to flashback to the summer. >keep it comin< on b2 is the most progressive track on the ep. an hypnotic track that could be the soundtrack of your next voodoo session or if you prefer for your next 6 o clock booking.

with exclusive tracks from oskar offermann, edward, moomin, tristen & jason... watch out! the latest release from white features the innercircle among the berlin-based label. people like oskar offermann and edward might have become the figureheads of the white label sound. but there are also producers like tristen or moomin, who were very successfull with only a few releases out. or mr. >jason< who has been a part of the label family for years, organizing parties together with oskar and who debuts on the label with his beautiful track >linger on<. a real family thing for sure, and so it makes perfect sense, that all of these guys will play together with dj jus-ed at their labelparty >white sparkle in her eyes< at horst krzbrg / berlin on dec 3rd

reissue from this incredible disco-funk album, originally released in 1985 on engineered for sound. the original is impossible to get now and gooes for $$$ on ebay and the likes. a total must for those into dam-funk, james pants and the likes. comes with reccommendations and write-ups from dam-funk and nite jewel on the front (in the form of a sticker - placed on the plastic protection sleeve). cleaned and remastered from the original tracks. comes with original artwork and including a lyrics sheet.

limited 12 release taken from the fabrice lig s genesis of a deep sound album with a beautiful sven weisemann remix. beautiful deep dusty techno tracks. only for the real vinyl connaisseurs!

supported by: loco dice, raresh, laurent garnier, dj sneak, djulz, danny tennaglia, deetron, margaret dygas, brothers vibe, etc.. after his first appeareance along brothers vibe, papol is back to make his first own solo release on esperanza. on the a side he goes deep with >black love< a dubby house affair with a super sweet feel. going straight to the flip >st bulevar< kicks in, this track has a driving detroit appeal reminding us a little bit to kms sound. further into the b side, our bavarian favourite dario zenker makes a deeper techno interpretation reciclying the original into a typical zenkers affair. enjoy!

straight from the musical hotbed of saint-petersburg in russia, we are delighted to introduce yet another exciting new talentË introducing unquote!
fans of hospital and med school will have already caught a glimpse of his scintillating and seductive electronic sounds on >the future sound of russia< and >remix your mind< eps.
if these somehow passed you by, make sure you check out his stunning debut med school single!

les sins is the dance alter ego of toro y moi (a.k.a. chaz bundick). the two tracks on this twelve inch represent the four on the floor side of chazs sound. recorded in the spring of 2009 in chazs home studio in columbia, south carolina, >lina< and >youth gone< are sure to become worldwide club anthems in some totally cool alternate universe.
digital download-code included.

after a very brief lull in activity over the latter part of the summer, we re very excited to be back up and running and present a fantastic new collection of songs from one of our favorite producers, the esteemed russ gabriel. having long been a pioneering producer, dj and live act as well as a hugely respected studio producer, russ has returned to the dieb audio fold and graced us with 4 exceptional new works.
the >knossos< ep, as the collection is known, showcases a diverse palette on russ part, ranging from visceral, heads-down dancefloor material, to intelligent, emotive house productions, in a polished, thorough manner, that defines his work. fans of his sound will instantly grasp his simple, effortless style of fusing together elements and creating classy, functional arrangements. one thing is always guaranteed and delivered with russ: quality.

sound-design from a far-away galaxy, functional and intelligent arrangements, tricky elements somewhere between handmade and cinema-scope and continuously surprising ideas - this is the music of an extraordinary talent: boris brejcha.
he is one of the most productive creative minds of this time segment and while constantly releasing a great amount of tracks, his music does not sound like the work of a mechanic following a certain formula. boris force roots from a unique style that has a focus on diversity and still you recognize his hand-writing while listening to his tricky arrangements and breaks that are different as they can be.

fifth release on the acclaimed imprint from those lovely people over at the acclaimed sleazybeats blog. the dust just doesnt seem to settle at team sleazy who are set to unleash their fifth dish of mid-tempo filth. sbr005 should likely round out what has undoubtedly been more than a successful year for the sleazy beats crew. as hard as it might seem to upstage their recent sampler, this release by berliner daniel solar (of no more hits and dikso fame) is another trio of totally on point sleazy business which showcases daniels stellar skills. things start off with midfidelity funk, a snappy romp through steady synth and disco string territory. this little number delivers a perfectly spell-binding groove with nicely placed rhodes stabs, crisp tambourines and haunting vocal at the breaks. on the flip, twinkle love snaps out a sweet melange of piano, guitar/bass riff and morphing vocals that combine to give a lively mood and open atmospherics. finally, rounding up the ep is la fleur, a wonky yet punchy cut thats ripe with staunch drum sounds and strings amidst loopy vocal snippets for good measure. all three tracks ride a 110ish bpm groove that is likely to ring bells for those who have been following and digging the sleazy sound so far. the last few releases all sold out in a matter of weeks, so dont sleep on this. you know the drill by now: limited release, no repress.

the final part of the epic remix album. you ve had the burial sampler, youve had the cd, youve had ep1 & ep2 and now its time for the final piece of this massive jigsaw. and what a piece it is marcel dettmann second remix of satellite type 2 is a masterpiece, it captures the essence of the original along with its energy. first class mix from berlins finest. on the flip we have metalheadz new boy pedestrian, and with support from giles peterson and more this guy is really making waves right now. the remix encapsulates the sound of the uk right now, people call it future garage we just call it good music. expect more from pedestrian and metalheadz in the future

stricly limited to 200 copies in a special handmade cover! the salz duo delivers with their a-side a dub remix of 20 toes which turns out as a gentle and sunny dub version with no stunts necessary. amazing quality in sound and recording makes this a pleasure to listen to. the remix works in favour of a long evolving wave of sound on the flipside their dub mix of backroom is much more on the tougher side of things with broad and bold basslines and tough chords. this is definitely something for the detroit fans among us and makes a connection to feeling in sound

its been a while for mr lovebirds and also the label teardrop to serve some fresh slices of homemade house jam. well, we think it better not to put out every bonus beat we program and rather wait until we have something that really deserves to be thrown in todays pool of musical randomness. do we sound bitter again? sorry, for that … must be the age. so … love & happiness. yeah, i want that and probably everybody does … well here ya go: its a slick slow house bomb with proper oldskool 909 drums and some sliding portamento chords that wont never leave your head!! at least until the breakdown when this track takes you even further back in time to that beautiful intro that has rarely been used more beautifully. its been tested for months now by vincenzo, phonique and mr bird himself and devestated every floor so far. let me put it this way - this is biiiig!!!! flipside is the rain - classic 90ies deephouse with a touch of kerri which we all love right? this has the typical lovebirds warmth that we all need in these modern techno times. and in this autumn too. none other than mr steve bug took care of the remix and delivered a superb very 90ies new yorican style version. keeping the warmth he added some percussion to it and turned this into a nice builder. enough talk … we are very excited about this release and looking forward to your full love on this one. play it loud and everywhere!! and maybe even chart it if youre a good lad!!

thomas muller has most definitely found his sound. following two splendid remixes for his bpitch label-mates cormac and telefon tel aviv, he finally indulges us with a complete 12 inch from his own sound lab. a masterpiece without a doubt.

played and supported by: jonas koop, norman nodge, delta funktionen, samuli kemppi, laurent garnier, josh wink, lucy, perc, marcel fengler and more... counterpart are dimi angelis and jeroen search. they are two dutch masters of world techno scene. in this new release they have three tracks plus an intro. from the beginning we realize that we are listening to a big vinyl...the tracks travelling through beautiful and dirty sounds at the same time minimal (meaning the true minimalist school of detroit) without a breath to the dancefloor. in the whole release you can enjoy the analog sound..and today it means a lot! m_rec ltd is without question a serious label and deserve to be called >techno label<.

new years deal - out of south london, el prevost comes correct with the money honey ep. funky, dirty, shiny. more of the new house sound of london. four tracks ranging from dirty deeo and grooving house tracks to peak time power tools. a new talent on third ear from their own hood with some killer peak time tracks that are mastered by stefan betke @ scape mastering.

nice price deal !!! the return of dub recordings!?! 6 track debut ep of young dutch producer astroposer! after a period of silence this was a great reason to get clone s sub label specialized in the finest electronica (since 1996) back alive! especially after learning that astroposer got heavily influenced by the early releases on dub by of eog, syndrone (aka machine drum) and funckarma which he heard from his older brother. the circle is round and little brothers grow up and before we knew the next generation arrived to take over. heavy 6 track ep with futuristic hip hop, modern beat trickery, neon commodore 64 bleepy downbeat rave tracks. support: blawan, instra:mental, a made up sound, 3voor12 radio, funckarma, machinedrum etc.

believe it or not !! new hardfloor album ! with acid !! killer !! mastery is distinguished by the difference between being able to create something because you know about it, and creating something because you are it.hardfloor are the masters! masters of what? masters of the -sound of acid-, the style of techno they invented and infected the world with by unleashing the groundbreaking and infinitely imitated -hardtrance acperience ep- in 1992. that unmistakable groove, that pumping house bass, that swirling modulating melody, that throbbing acid house vibe and those climactic builds and breaks - a new sound for the dancefloors of the planet. yes, this is 2010 and that was 18 years ago. a lot has happened since then and music has changed